Enter the void | Gallery Dotwalk's 'The Architecture of the Void'

When Gallery Dotwalk relocated to Defence Colony from Gurugram earlier this year, founder-director Sreejith N. found himself asking a simple question—how does one begin again, in a different room, without forgetting the histories that brought one here? The answer was found in their second exhibition, The Architecture of the Void: Lines on a Postcolonial Skeleton, which brings together an exceptional group of modern Indian artists, focusing on drawings, watercolours, etchings and works on paper, foregrounding a medium that was central to artistic experimentation in the decades following Independence and Partition.