Ramayana, Adipurush, Mahadev: Our screen gods look straight out of the gym lately
From films to soaps, Indian pop culture is increasingly portraying male gods from Ramayana, Mahabharata and Puranas as gym-toned hunks who could give Chris Hemsworth's Thor a run for his money.
The first glimpse of Ranbir Kapoor's appearance as Lord Rama from Ramayana Part 1 is out, and the fans are excited about the ambitious film. Many on social media, however, have a problem – they feel the on-screen epic's hero is too western in physique for an Indian God. The debate had also risen when Prabhas appeared in the same role in Adipurush (2023).
The conversation seems to arise every time Ramayana or Mahabharata is adapted for the screen lately. The picture has frequently been: Lord Rama in the forest exile, not just serene and graceful as in traditional art, but with sharply chiselled abs, broad shoulders and a vascular, gym-honed physique as he draws his bow in slow motion. Or the Pandavas and Kauravas swaggering across the battlefield like fitness models in designer armour.
Our gods have been turned into Greek Gods for the screen, and the transformation is everywhere — across Hindi and regional TV soaps, films and OTT shows. In short, wherever filmmakers are adapting the epics.
How superhero template is reshaping Ramayana adaptations
After Ramanand Sagar's Ramayana and BR Chopra's Mahabharata in the Doordarshan days, newer shows and films based on these epics have made male divinity and warrior characters look like they have just stepped out of the gym: Toned bodies and glowing skin, optimised for dramatic slow-motion sequences.
What began as action-oriented portrayals has extended to the divine: Hanuman exhibits superhero agility, Rama draws his bow with model-like poise, and Shiva is depicted with muscular strength.
South Indian folklore films such as HanuMan and Mirai have further advanced this trend, blending mysticism with VFX spectacle where divine figures appear more visually spectacular than battle-ready.
This trend mirrors a Hollywood cinematic pattern where gods and deities are idealised as athletic supermodels. A character like Chris Hemsworth’s Thor embodies the sculpted template Hollywood has favoured for decades. In contrast, older Western Biblical epics like Ben-Hur or The Ten Commandments conveyed strength and moral gravitas through presence and stature, without the hyper-defined aesthetics common today.
Greek God Effect: Modern cinema sculpting screen idols
In the Indian context, the shift is particularly notable given the cultural resonance of these figures. Traditional temple iconography and Raja Ravi Varma’s paintings depicted deities with softer, graceful forms symbolising abundance and serenity, far removed from bodybuilder ideals.
Ancient texts emphasise inner virtues over physical metrics, yet pop culture increasingly translates these into Instagram-era physiques that make gods appear suited for both cosmic battles and glossy magazine covers.
A fine example is Mohit Raina’s popular portrayal of Lord Shiva in Devon Ke Dev Mahadev. With his tall, well-built and striking frame, Raina’s Shiva combined intensity and physical presence in a way that felt almost like a living Greek sculpture on screen. Many recent shows have followed and amplified this benchmark.
The reasons are clear and practical. The fitness wave post-2010, advanced VFX capabilities, and the need to appeal to younger global audiences familiar with Marvel-DC aesthetics have made this the go-to visual language. A muscular Hanuman or sculpted Rama creates instant cinematic impact, fills trailers with awe, and makes ancient stories feel contemporary. Daily soaps and serials reaching millions have quietly adopted similar casting and styling choices, reinforcing this template across households.
The superhero makeover: Can the Indian epic maintain its soul?
This is not a critique of fitness or strong actors — capable, athletic bodies enhance epic action and grandeur. However, the near-uniform fixation raises questions: Are we broadening these timeless tales by updating their look for modern screens or narrowing their rich symbolic diversity into a single contemporary ideal?
As new Ramayana projects and ongoing TV adaptations push epic dramas towards wider audiences, this visual grammar dominates. It successfully bridges reverence with entertainment demands. Yet, the deeper question remains whether future portrayals will embrace varied physical representations reflecting the multiplicity in our texts and heritage, moving beyond the current dominant aesthetic while retaining the power and devotion at the heart of these stories.
The trend continues to spark conversation with every new poster or teaser. Indian pop culture is boldly reimagining its deities for the streaming and multiplex age. The challenge is ensuring that in this visual evolution, the soul of the epics — their moral depth and spiritual essence — remains as compelling as the perfectly chiselled frames on screen.